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Comment on this story Comment Cinema today is in chaos. Theater chains are imploding. Studios are scrambling. Streamers are desperately trying to win subscribers and claw back the ones who have left. The answer, clearly, is more comic book movies. Unless it’s horror. Or boomer nostalgia. No, it’s “Cocaine Bear”! As the screenwriter William Goldman famously said about Hollywood: “Nobody knows anything.” The movie business has always been an enterprise driven more by fear and instinct than no-fail formulas. But something shifted in 2022, when the uncertainty and destabilization that has pervaded the industry migrated to the movies themselves. Filmgoers who ventured outside the reassuring familiarity of an old-school action flick like “Top Gun: Maverick” were likely to feel bombarded with stories that felt bloated, digressive and almost pathologically discombobulated. And those are just the Oscar movies. In “Elvis,” best actor nominee Austin Butler barely managed to fight
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